First Light and Active Metadata

I’m all about increased workflow productivity. So I’ve really been wanting to check out Cineform’s First Light included in their NeoHD package for Mac. The basics: it allows you to make preliminary color adjustments to be stored alongside your Cineform .MOV file by utilizing active metadata. These adjustments are accessible in real-time via your NLE (or any program accessing the .MOV file.).

In practice, here are the benefits I forsee:

1. The adjustments (white balance, gamma, color matrix) are not burned into my clips- I can change them at anytime in the post process

2. The adjustments, due to the active metadata, are available in real-time with no rendering. So as I work, (specifically in the grading process) I can make adjustments in realtime via First Light while utilizing necessary scopes and full screen mastering… without rendering (have I mentioned that one yet?)

3. Additional perks: 2.35:1 masking and image flip- all with again, no rendering.

Here are a pre and post frame grabs after about a minute of playing with it:

Pre First Light adjustment

Post First Light adjustment- white balance and color matrix adjustments with a 2.35:1 crop with Log 90 encoding and decoding curves. No gamma adjustments

Naturally, this isn’t meant to be your only color grading application but an additional tool aid and speed the process.

Tags: , , ,

  • Video metadata (both visual and other info) is in a terrible state. I've not seen a comprehensive, broad-based solution yet, the way XMP and IPTC/EXIF have broad acceptance in the photo-app world.

    Pretty cool! Heard about this at NAB. Sounds kind of like the way XMP works for RAW images.
  • Metadata isn't there yet especially with data straight out of the camera. But I'm pretty much "take what I can get." Even this little bit helps albeit in the limited toying I've done with it. There are very strong render-less workflows in Pr on Windows via Cineform. Unfortunately until they get their real-time engine working on CS4, those aren't 100% available.

    As it stands, I've been using Cineform for almost a year now and probably won't use anything else. I'm fairly content staying with the company and workflow right now for a variety of reasons. Just like I'm content with my HDV 1/3" camera and Adobe on Mac. It's not without issues but it gets the job done. As I start different projects, I'll look at the options out there. At some point, it has to be good enough. Right?

    You going to NAB this year? I'm planning on coming down for a couple days I hope...maybe take a workshop track or get Adobe certified or something :P
  • I really like the idea of a sidecar file storing visual metadata, that multiple apps can "see". It'd be great to see that in action.
  • It's really freakin' cool. I added some color changes and the aspect ration masking to a .MOV clip. And it showed up when I opened the clip in both Quicktime and Mpeg Streamclip. Awesome.

    FYI: when you convert you can convert to either an .MOV or ProRes wrapper if you have FCP. I won't actually be upgrading until it comes time to finish this doc...I'm pretty much out of money for the year and have like, no budget for next year.
  • I wish I had your practical streak. I'm always looking for the Next Big Thing, utterly restless when it comes to tech or technique. Drives my boss crazy.
  • Very nice. I'll most likely pick this up in a few weeks.
blog comments powered by Disqus

© 2010 Jay Friesen's Blog. All Rights Reserved.

This blog is powered by Wordpress and Magatheme by Bryan Helmig. A blog about international non-profit HD media and film production and the lifestyle that goes with it.